$2,720
Using a composition reminiscent of perspective sketching, the “Spillway Strong Current Part” creates a sense of disconnection from reality. Through these effects, he depicts reality on a two-dimensional plane that differs from the reality of three-dimensional materials and maintains a psychological distance from the overwhelming structure. The hues produced by combining matte pigments diminish the subject’s exaggerated physical properties and blur the indications of realism. The artist is fascinated by massive artificial concrete structures inspired by nature, and he creates his own virtual structures by stacking planes on canvas. In contrast to natural objects, a camera lens captures the linear and geometric design of architecture, which is then transmitted to the plane through diagonal lines and various colors and textures. By a form of nostalgia that arises throughout this process, Lee presents with wit a world that is neither emotionally nor emotionally close but is neither frigid.
Artwork details+
- Medium
- Oil, ink line, alkyd, wax on canvas
- Size
- 145.5 cm x 89.4 cm
- Year
- 2021
- Signature
- Hand-signed and dated by artist, back
- Edition
- Unique work
- Certificate
- Certificate of Authenticity issued by the gallery
Shipping & taxes+
- Ships from the gallery's location (set per work, defaults to the gallery address)
- Cost calculated at checkout by destination
- Optional full insurance in transit
- Usually ships within 10 business days, fine-art packed
- In-person pickup available for some works (no shipping fee)
- Listed price may include VAT applicable in the seller's country or the work's place of shipment
- Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
- These are assessed by the destination customs authority and billed separately by the carrier
- Sales tax may be added at checkout depending on jurisdiction
Sanggyun Lee is an artist who maintains a continuous interest in civil engineering structures through field research, converting three-dimensional architecture and spaces into two-dimensional paintings. Memories of his father, who worked in civil engineering during his childhood, have greatly influenced his work, serving as a crucial link in his art. The images of structures that appear in his work are abstracted through a process of reduction to a consistent compositional framework. He believes that, among the spaces humans inhabit, the land particularly represents various aspects of humanity. Capturing the longstanding human desire for urbanization and the pursuit of subjectivity and spatiality, he simultaneously embodies the role of an observer, depicting the immobility of civil engineering construction sites. He applies construction tools such as trowels, plastering knives, and ink lines to his paintings, creating them with a constructive attitude. In 2022, he was selected as an artist-in-residence at the Paris Lee Ungno Residence, where he worked to document his artistic identity and discover the human narratives of previous generations. During this period, he participated in various international exhibitions, expanded his artistic perspective through interactions with artists worldwide, and drew inspiration from the unique culture and historical background of Paris, adding depth to his work. This experience significantly contributed to his artistic growth, which is clearly evident in his subsequent works. Currently, he continues to create new works based on these experiences, pursuing his artistic exploration.
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Go to gallery page →$2,720
Using a composition reminiscent of perspective sketching, the “Spillway Strong Current Part” creates a sense of disconnection from reality. Through these effects, he depicts reality on a two-dimensional plane that differs from the reality of three-dimensional materials and maintains a psychological distance from the overwhelming structure. The hues produced by combining matte pigments diminish the subject’s exaggerated physical properties and blur the indications of realism. The artist is fascinated by massive artificial concrete structures inspired by nature, and he creates his own virtual structures by stacking planes on canvas. In contrast to natural objects, a camera lens captures the linear and geometric design of architecture, which is then transmitted to the plane through diagonal lines and various colors and textures. By a form of nostalgia that arises throughout this process, Lee presents with wit a world that is neither emotionally nor emotionally close but is neither frigid.
Artwork details+
- Medium
- Oil, ink line, alkyd, wax on canvas
- Size
- 145.5 cm x 89.4 cm
- Year
- 2021
- Signature
- Hand-signed and dated by artist, back
- Edition
- Unique work
- Certificate
- Certificate of Authenticity issued by the gallery
Shipping & taxes+
- Ships from the gallery's location (set per work, defaults to the gallery address)
- Cost calculated at checkout by destination
- Optional full insurance in transit
- Usually ships within 10 business days, fine-art packed
- In-person pickup available for some works (no shipping fee)
- Listed price may include VAT applicable in the seller's country or the work's place of shipment
- Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
- These are assessed by the destination customs authority and billed separately by the carrier
- Sales tax may be added at checkout depending on jurisdiction
$2,720