$18,480
This image marks the inception of the artist’s conceptual framework on desire, Pothosophy. Before there was a name, there was only ache: unformed, unmapped. In this moment, Genesis Kai sits poised at the edge of language, surrounded by cranes who sense what the world has yet to name: that something sacred is about to be written. The scholar is not illustrating thought. She is the thought. Her body, half-submerged in red, becomes the medium. Her brush is both vector and vow. The cranes gather not for beauty, but for duration, and they come to bear witness to a sentence that will stretch across works, lovers, lifetimes. Paint bleeds downward, as if the concept of desire as ontological tension, the core of Pothosophy, could no longer be contained. The red is not just a background. It is theory and it is time becoming form. In Before The Ache Had A Name, Genesis Kai creates not an image of a scholar, but the myth of how her cosmology began. Longevity is not in the body, it’s in the commitment to hold paradox long enough to give it form. Stillness, here, is a form of birth. Philosophy, a consequence of ache.
Artwork details+
- Medium
- Digital art, drawing, AI, Hanji paper
- Size
- 130 cm x 100 cm x 1 cm
- Year
- 2026
- Signature
- Authenticated signature chop
- Edition
- 1/1 + 1 AP
- Certificate
- Certificate of Authenticity issued by the gallery
Shipping & taxes+
- Ships from the gallery's location (set per work, defaults to the gallery address)
- Cost calculated at checkout by destination
- Optional full insurance in transit
- Usually ships within 10 business days, fine-art packed
- In-person pickup available for some works (no shipping fee)
- Listed price may include VAT applicable in the seller's country or the work's place of shipment
- Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
- These are assessed by the destination customs authority and billed separately by the carrier
- Sales tax may be added at checkout depending on jurisdiction
Genesis Kai is the AI-infused alter ego of Korean-Hong Kong new media artist Ming Shiu. Through her conceptual framework “Pothosophy,” she redefines desire not as lack but as a structuring tension that shapes reality. Working across AI-driven collaboration, video installation, and hanji prints, she reinterprets East Asian heritage and diasporic memory through a contemporary philosophical lens. Since her debut at Asia Now (2022) in France, her works have been exhibited internationally across Paris, London, Dubai, Hong Kong, and Seoul.
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Located in the heart of Le Marais in Paris, ArtVerse is a contemporary digital art gallery founded by Sébastien Borget and Arthur Madrid (The Sandbox), a first-generation digital and crypto art curator. Under the concept of “URL to IRL,” ArtVerse brings digital creations into the physical world, exploring the evolving relationship between virtual works and real-life presence. As the boundaries between the material and immaterial continue to blur, ArtVerse champions a new wave of artists who blend traditional techniques with digital innovation. The gallery elevates both emerging and established digital artists, positioning them within the broader discourse of contemporary art. With a thoughtful and forward-looking curatorial approach, ArtVerse serves as a vital platform to understand how image, memory, and artistic expression are being reshaped in the post-digital age.
Go to gallery page →$18,480
This image marks the inception of the artist’s conceptual framework on desire, Pothosophy. Before there was a name, there was only ache: unformed, unmapped. In this moment, Genesis Kai sits poised at the edge of language, surrounded by cranes who sense what the world has yet to name: that something sacred is about to be written. The scholar is not illustrating thought. She is the thought. Her body, half-submerged in red, becomes the medium. Her brush is both vector and vow. The cranes gather not for beauty, but for duration, and they come to bear witness to a sentence that will stretch across works, lovers, lifetimes. Paint bleeds downward, as if the concept of desire as ontological tension, the core of Pothosophy, could no longer be contained. The red is not just a background. It is theory and it is time becoming form. In Before The Ache Had A Name, Genesis Kai creates not an image of a scholar, but the myth of how her cosmology began. Longevity is not in the body, it’s in the commitment to hold paradox long enough to give it form. Stillness, here, is a form of birth. Philosophy, a consequence of ache.
Artwork details+
- Medium
- Digital art, drawing, AI, Hanji paper
- Size
- 130 cm x 100 cm x 1 cm
- Year
- 2026
- Signature
- Authenticated signature chop
- Edition
- 1/1 + 1 AP
- Certificate
- Certificate of Authenticity issued by the gallery
Shipping & taxes+
- Ships from the gallery's location (set per work, defaults to the gallery address)
- Cost calculated at checkout by destination
- Optional full insurance in transit
- Usually ships within 10 business days, fine-art packed
- In-person pickup available for some works (no shipping fee)
- Listed price may include VAT applicable in the seller's country or the work's place of shipment
- Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
- These are assessed by the destination customs authority and billed separately by the carrier
- Sales tax may be added at checkout depending on jurisdiction
$18,480