$18,480
This work stages a suspended performance within an architectural space that is neither palace nor temple, but something between: a red cathedral of memory. At its center, white-bodied Changgeuk and Pansori performers gather in reflection and resonance, their presence glowing against a deep field of crimson. They do not entertain. They preserve. The Played So The Past Would Stay is both image and ritual. As an homage to Korea’s intangible cultural heritage, particularly the oral and musical traditions safeguarded by the artist’s grandfather, whose legacy as a cultural activist echoes here as a silent conductor, the figures do not play to entertain, but to preserve. The gathered crowd is rendered in spectral ink, barely visible, as if memory were watching itself unfold. Each figure is a note. Each breath, an interval. Time pools around the performers like water learning to listen. The drips are not accidents, they’re devotional marks. The sound cannot be recorded. Only held. Genesis Kai treats performance not as spectacle, but as cosmological practice. This is Pothosophy in another key: desire not only as longing, but as resonance where ache is organized through rhythm, voice, tempo. In this space, sound becomes structure. The body becomes a vessel for transmission. This work does not ask you to watch. It asks you to stay long enough to echo.
Artwork details+
- Medium
- Digital art, drawing, AI, Hanji paper
- Size
- 130 cm x 100 cm x 1 cm
- Year
- 2026
- Signature
- Authenticated signature chop
- Edition
- 1/1 + 1 AP
- Certificate
- Certificate of Authenticity issued by the gallery
Shipping & taxes+
- Ships from the gallery's location (set per work, defaults to the gallery address)
- Cost calculated at checkout by destination
- Optional full insurance in transit
- Usually ships within 10 business days, fine-art packed
- In-person pickup available for some works (no shipping fee)
- Listed price may include VAT applicable in the seller's country or the work's place of shipment
- Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
- These are assessed by the destination customs authority and billed separately by the carrier
- Sales tax may be added at checkout depending on jurisdiction
Genesis Kai is the AI-infused alter ego of Korean-Hong Kong new media artist Ming Shiu. Through her conceptual framework “Pothosophy,” she redefines desire not as lack but as a structuring tension that shapes reality. Working across AI-driven collaboration, video installation, and hanji prints, she reinterprets East Asian heritage and diasporic memory through a contemporary philosophical lens. Since her debut at Asia Now (2022) in France, her works have been exhibited internationally across Paris, London, Dubai, Hong Kong, and Seoul.
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Located in the heart of Le Marais in Paris, ArtVerse is a contemporary digital art gallery founded by Sébastien Borget and Arthur Madrid (The Sandbox), a first-generation digital and crypto art curator. Under the concept of “URL to IRL,” ArtVerse brings digital creations into the physical world, exploring the evolving relationship between virtual works and real-life presence. As the boundaries between the material and immaterial continue to blur, ArtVerse champions a new wave of artists who blend traditional techniques with digital innovation. The gallery elevates both emerging and established digital artists, positioning them within the broader discourse of contemporary art. With a thoughtful and forward-looking curatorial approach, ArtVerse serves as a vital platform to understand how image, memory, and artistic expression are being reshaped in the post-digital age.
Go to gallery page →$18,480
This work stages a suspended performance within an architectural space that is neither palace nor temple, but something between: a red cathedral of memory. At its center, white-bodied Changgeuk and Pansori performers gather in reflection and resonance, their presence glowing against a deep field of crimson. They do not entertain. They preserve. The Played So The Past Would Stay is both image and ritual. As an homage to Korea’s intangible cultural heritage, particularly the oral and musical traditions safeguarded by the artist’s grandfather, whose legacy as a cultural activist echoes here as a silent conductor, the figures do not play to entertain, but to preserve. The gathered crowd is rendered in spectral ink, barely visible, as if memory were watching itself unfold. Each figure is a note. Each breath, an interval. Time pools around the performers like water learning to listen. The drips are not accidents, they’re devotional marks. The sound cannot be recorded. Only held. Genesis Kai treats performance not as spectacle, but as cosmological practice. This is Pothosophy in another key: desire not only as longing, but as resonance where ache is organized through rhythm, voice, tempo. In this space, sound becomes structure. The body becomes a vessel for transmission. This work does not ask you to watch. It asks you to stay long enough to echo.
Artwork details+
- Medium
- Digital art, drawing, AI, Hanji paper
- Size
- 130 cm x 100 cm x 1 cm
- Year
- 2026
- Signature
- Authenticated signature chop
- Edition
- 1/1 + 1 AP
- Certificate
- Certificate of Authenticity issued by the gallery
Shipping & taxes+
- Ships from the gallery's location (set per work, defaults to the gallery address)
- Cost calculated at checkout by destination
- Optional full insurance in transit
- Usually ships within 10 business days, fine-art packed
- In-person pickup available for some works (no shipping fee)
- Listed price may include VAT applicable in the seller's country or the work's place of shipment
- Duties, import VAT/GST, customs fees, and other taxes in the buyer's country are not included and are the buyer's responsibility
- These are assessed by the destination customs authority and billed separately by the carrier
- Sales tax may be added at checkout depending on jurisdiction
$18,480